Entrance to JoAnn Verburg exhibit at MOMA 2007
When I started blogging I would feel "scooped" if someone (invariably far more interesting than I) posted something I had intended to write about before I had the opportunity to get it up. I have now become comfortably lazy enough to appreciate their labor and pass it on to you.
The first stop we made in New York (Wasn't that just last week? Where is the time going?) was to see the Verburg exhibit at the MOMA. Working my way through the retrospective I was particularly struck by the diptych and triptych portraits, the water portraits and the olive tree series. Her ability to render what I can only describe as dynamic stillness through manipulation of the focal plane is extraordinary.
For a more thorough examination go to Tim Atherton's (see above) posts here and here.
Leaving Verburg's exhibit lead to displays of work in MOMA's permanent collection. Winogrand's, Arbus', the copy of Ruscha's Every Building on the Sunset Strip, Roni Horn's Still Water. All images I have admired in books and now more fully appreciate through visiting in person. As much as anything it was a tribute to John Szarkowski's vision.
From there it was a walk downtown to the Stephen Shore retrospective at ICP, but that's another post.